To convert the sentence into passive voice, you must change the focus from the subject performing the action to the object receiving it (in this instance, "money" is the object that is "earned").
Another important thing to remember:
When a sentence is in passive voice, it tends to imply that the action is being done indirectly. So, once the phrase is rephrased to passive, it may seem like "money" is initiating the act of "earning"; however, we know that it's actually the "father" who is responsible.
The money was earned by Father for all of us.
Hope this clarifies!
~Just a girl in love with Shawn Mendes
I think a motif can evolve into a theme as it accumulates greater importance throughout a piece of writing. A theme generally summarizes the central topic of a literary work, meaning that a motif, if further explored, could imply a theme in the narrative.
Answer: D) The housewife's syndrome.
Explanation: Throughout history and continuing worldwide, many women have experienced a nearly indescribable feeling of despair stemming from dissatisfaction with their roles as wives, mothers, and homemakers. This affliction, described by one woman as "a sensation of crying without cause," was named "The housewife's syndrome" by a physician from Cleveland.
The answer becomes evident when (nobody) uses it. I hope that helps.
I'm not entirely certain what the question asks, but here is my interpretation.
This seems to be an example of social prejudice (possibly legal too if we consider its consequences).
Why it likely isn't the others:
- Racial: The passage doesn't mention race explicitly.
- Possibly legal: The man appears wealthy and may evade punishment for the murder, but this is speculative given only this text.
- Environmental: The environment is not referenced here.
Supporting the social prejudice theory:
- The diamond ring suggests wealth since only affluent individuals can afford such items.
- Mention of a hotel social event points to high social status.
- The victim, Hattie Carroll, is poor, illustrating a social divide.
