At the beginning of the story, Gregor Samsa may have transformed into an insect, yet as you progress through the series, it becomes evident that his essence remains unchanged. Transformation must result in significant changes, not solely in outward appearance but also internally. Despite his transformation, Gregor chose to continue working to provide for his family. He understood that once he could no longer support them as a human, they would have to manage independently.
The bond between literature and the Holocaust is intricate. It is important to acknowledge that this combination is indeed significant—the Holocaust has shaped, and in many cases, defined the works of almost every Jewish author after it, such as Saul Bellow and Jonathan Safran Foer, along with various non-Jewish writers like W.G. Sebald and Jorge Semprun. However, when examining literature as an art form—a discipline inherently focused on representation and interpretation—it appears to conflict with the unchangeable nature of the Holocaust and our profound responsibilities towards its remembrance. Great literature demands creativity, reshapes narratives, navigates moral complexities, and alters factual realities. In the context of the Holocaust, such an approach can feel utterly wrong and even sacrilegious, as the atrocities witnessed at Auschwitz and Buchenwald require no literary enhancement.
In the epic fantasy tragedy genre, it's accurate to say that a hero is characterized by various superhuman and magical attributes. Such traits are essential for illustrating a heroic figure who prevails over evil and is relied upon by other characters for salvation ultimately.
