What is the major structural change that takes place when we return to the story of the Harris family?

Lines 22-23

<span>Thy image. Earth, that nourished thee, shall claim
Thy growth, to be resolved to earth again,</span>

<span>Wow. No cremation. So, what happens to our "image" upon death if it's not sinking in the sea or buried in the ground? It returns to the Earth. <span>It was "nourishment" from the Earth that allowed our body to grow, and now our body will be transformed ("resolved") back into the earth. This mirrors the well-known saying – "Ashes to ashes, dust to dust."</span></span>Lines 24-25

<span>And, lost each human trace, surrendering up
Thine individual being, shalt thou go</span>

<span>According to this poem's perspective, upon death, we lose our humanity ("each human trace"). We relinquish our "individual being." Essentially, after you pass away, you cease to be the person you once were.</span>Lines 26-27

<span>To mix for ever with the elements,
To be a brother to the insensible rock</span>

<span>The speaker fondly embraces the thought of reverting to the Earth, elaborating further. He tells us our bodies will "mix […] with the elements." After we die, we will be no different than an "insensible rock." The term insensible indicates "unable to feel." Hence, all the sensations and emotions that defined our humanity will disappear, leaving us akin to rocks.</span><span>Lines 28-29
</span>

<span>And to the sluggish clod, which the rude swain
Turns with his share, and treads upon. The oak</span>

<span>To emphasize the point, the poem reiterates it with some elaborate vocabulary. The speaker conveys that after death, we will resemble a "sluggish clod." A "clod" refers to a lump of earth, while "sluggish" indicates how lifeless and heavy we will become. The speaker illustrates the image of our bodies turning into dirt and describes a country boy (a "swain" – a typical character in nature poetry) digging up the clod ("share") with his plow and walking ("treads") all over it. This emphasizes the degradation we will face in death. Even the swains would walk over us. Charming, right? I can imagine that wouldn't be comforting at all. Hey, Mr. Speaker, you're going to need to try a bit harder.</span>Line 30

Shall send his roots abroad, and pierce thy mould.

<span>Our deceased bodies will nourish oak trees as they extend their roots through the earth. Those roots will penetrate the "mould" (soil) of our remains. <span>This last visual is striking – somewhat violent, yet also somewhat beautiful. Bodies merging with trees? Well, it could be worse.</span></span>

Response:

a

Reason:

because I got the answer correct on a test

In the 1856 edition of Leaves of Grass, this sonnet is one of twenty new ballads. Similar to "Intersection Brooklyn Ferry," which appeared during the same period, it emphasizes a communal and democratic space associated with the outdoors. Whitman presents the outdoors as an optimistic venue where all individuals can gather.
In this poem, he extols the outdoor spaces and pathways as areas where people can converge genuinely, reducing the significance of status and social indicators. Roads are used by everyone, whether affluent or less fortunate, encouraging interaction across societal divides. Moreover, the road symbolizes freedom: it's a route to new places, signifying a fresh start. For Whitman, the road itself becomes a source of inspiration for poetry. As he travels, he observes a diversity of individuals and narratives. He advocates against remaining stagnant too long, asserting that only through open road adventures can one truly engage with life.

C. ¿Cuánto tiempo se tarda en viajar de la Tierra a la luna?

Esta pregunta es la más débil para investigar, ya que se puede responder fácilmente. Con una búsqueda rápida en Google, se averigua que un spacecraft tarda aproximadamente 3 días en llegar a la luna desde la Tierra. Esta cuestión no ofrece muchas oportunidades de investigación para desarrollar un ensayo. Las opciones A, B y D proporcionan diversas posibilidades que permiten un ensayo más amplio con un verdadero desarrollo de ideas.

Response: Geographical formations on Earth, like the Himalayas, emerge when the Eldest Magician breathes upon them. The author describes the animals as "All-the-Elephant-there-was," "All-the-Beaver-there-was," and "All-the-Turtle-there-was."

Clarification: In this passage, it is evident that the narrative deals with the world's creation, as the Eldest Magician conjures up mountains, islands, and deserts merely by breathing, and refers to the creatures as "All the Elephant-there-was," "All-the-Beaver-there-was", etc., indicating they are the first of their species—there was just one cow, one elephant, one beaver, and so forth.