Look at the frames from Iqbal.

Answer: The primary theme of the narrative revolves around the futility of evading death, with the clock symbolizing the certainty of death and representing the flow of time.

Explanation:

"The Masque of the Red Death" is a short story by Edgar Allan Poe, where a thousand individuals, including Prince Prospero, seclude themselves in an abbey to escape the lethal plague (Red Death).

In this narrative, The Seven Rooms in the abbey symbolize various life stages. In the Seventh Room, "against the western wall," stands "a gigantic ebony clock." The Ebony Clock serves as a symbol of death and its inevitability, while the pendulum represents the passage of time. When the hour strikes, the clock tolls, and all present know that an hour has passed – a reminder that their lives are diminishing and that death is drawing nearer. Just as they cannot halt the clock’s pendulum, so too are they unable to avoid death.

"The impact of Social Media on the Arab uprisings" represents a study investigating the effectiveness of the Internet and social media as crucial instruments for the coordination and planning of protests, while also raising awareness globally about the genuine circumstances during the Arab Spring, a movement that began in late 2010 in response to oppressive governments.

The supporting evidence for this assertion includes the following:

1. “Online networks were essential in bringing together a key group of activists, particularly in Egypt.”
2. “Civil society leaders from Arab nations highlighted the significance of ‘the Internet, mobile devices, and social media’ during the protests.”
3. “Moreover, Arabs utilized digital platforms to express their freedom of speech and create a space for civic involvement.”

Lines 22-23

<span>Thy image. Earth, that nourished thee, shall claim
Thy growth, to be resolved to earth again,</span>

<span>Wow. No cremation. So, what happens to our "image" upon death if it's not sinking in the sea or buried in the ground? It returns to the Earth. <span>It was "nourishment" from the Earth that allowed our body to grow, and now our body will be transformed ("resolved") back into the earth. This mirrors the well-known saying – "Ashes to ashes, dust to dust."</span></span>Lines 24-25

<span>And, lost each human trace, surrendering up
Thine individual being, shalt thou go</span>

<span>According to this poem's perspective, upon death, we lose our humanity ("each human trace"). We relinquish our "individual being." Essentially, after you pass away, you cease to be the person you once were.</span>Lines 26-27

<span>To mix for ever with the elements,
To be a brother to the insensible rock</span>

<span>The speaker fondly embraces the thought of reverting to the Earth, elaborating further. He tells us our bodies will "mix […] with the elements." After we die, we will be no different than an "insensible rock." The term insensible indicates "unable to feel." Hence, all the sensations and emotions that defined our humanity will disappear, leaving us akin to rocks.</span><span>Lines 28-29
</span>

<span>And to the sluggish clod, which the rude swain
Turns with his share, and treads upon. The oak</span>

<span>To emphasize the point, the poem reiterates it with some elaborate vocabulary. The speaker conveys that after death, we will resemble a "sluggish clod." A "clod" refers to a lump of earth, while "sluggish" indicates how lifeless and heavy we will become. The speaker illustrates the image of our bodies turning into dirt and describes a country boy (a "swain" – a typical character in nature poetry) digging up the clod ("share") with his plow and walking ("treads") all over it. This emphasizes the degradation we will face in death. Even the swains would walk over us. Charming, right? I can imagine that wouldn't be comforting at all. Hey, Mr. Speaker, you're going to need to try a bit harder.</span>Line 30

Shall send his roots abroad, and pierce thy mould.

<span>Our deceased bodies will nourish oak trees as they extend their roots through the earth. Those roots will penetrate the "mould" (soil) of our remains. <span>This last visual is striking – somewhat violent, yet also somewhat beautiful. Bodies merging with trees? Well, it could be worse.</span></span>

The correct answer to this question is B.

Correct statements regarding gothic elements in "The Yellow Wallpaper" that reflect societal views are checked in boxes 2, 3, and 4.

The imagery of the woman trapped behind bars illustrates the theme of male expectations acting as a jail from which she is unable to escape.

The husband perceives his wife as delicate and weak, akin to a damsel in distress through his treatment of her.

The prescribed treatment from the male doctor exacerbates the narrator’s psychological issues instead of providing relief.