To structure it in a stepwise format, you would write:
Step 1:
Step 2:
Step 3:
I'm unsure of the term, but I'm aware of the answer. Best of luck
Snow's and Poe's works tackle the same subject of a severe epidemic but differ in tone, intent, and format. "On the Mode of Communication of Cholera" is primarily persuasive yet contains expository elements. Snow aims to illustrate that cholera transmission occurs via water, supporting his claims with evidence and statistical analysis, addressing misconceptions, and encouraging consideration of various disease-related factors. His argument can be encapsulated with the idea that communicable diseases have diverse modes of transmission. Upon analyzing the cholera outbreak, he suspected contamination from a frequented street-pump, discovering that nearly all fatalities were concentrated near that source, with reports indicating that sixty-one deceased individuals consumed water from the pump. In contrast, Poe’s narrative is fictional, anthropomorphizing the lethal disease that afflicts the city. The intent of his allegory is primarily to entertain while highlighting that wealth and power do not safeguard against misfortune or death. Poe employs colorful, vivid language to create an engaging experience for readers, featuring a lavish and extravagant event orchestrated by the duke, whose distinct tastes defy mere fashion. While some may perceive him as mad, those close to him recognize his sanity, which is confirmed by the necessity to experience his presence directly. He designed much of the event's aesthetic, and the masqueraders embodied uniqueness and extravagance. Additionally, Poe critiques the elite, portraying their apathy towards the suffering caused by disease and demonstrating that material wealth cannot shield individuals from life's severe challenges, illustrating that the prince's demise is a consequence of his egocentric behavior.
The narrative in 'The Pursuit of Happiness' illustrates the theme of the poem as the characters chase happiness for their own benefit.
