C. "He was a brilliant talker"; D. "a way of whisking his tail which was somehow very persuasive"; E. "he could turn black into white." These specific details illustrate the central theme that a convincing speaker can instill belief in others, even in falsehoods.
Answer: In this narrative, Gordimer's political beliefs manifest as she employs the technique of negative dialectics. For instance, she states, "art is the negative knowledge of the actual world" (“Reconciliation Under Duress”). Instead, art delves into the unknown, and as Adorno asserts, “art does not become knowledge by merely referencing immediate reality.” Throughout her works, Gordimer consciously steers clear of mentioning “immediate reality.” Ettin highlights that readers do not grasp the complete narrative and must instead navigate by analyzing what remains unsaid. By integrating Adorno's theories, Gordimer illustrates the potent influence of this German-Jewish thinker, further distancing herself from the works of black authors and redefining the goals of a political novel.
<span>Sometimes I can forgive myself, and other times I cannot.</span>
