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lapo4ka
24 days ago
5

Meeting at Night" The gray sea and the long black land; And the yellow half-moon large and low; And the startled little waves th

at leap In fiery ringlets from their sleep, As I gain the cove1 with pushing prow2, And quench its speed i’3 the slushy sand. Then a mile of warm sea-scented beach; Three fields to cross till a farm appears; A rap at the pane4, the quick sharp scratch And blue spurt of a lighted match, And a voice less loud, thro’5 its joys and fears, Than the two hearts beating each to each. . —Robert Browning 1 A cove is a small inlet from the sea. 2 A prow is the front end of a boat. 3 i’ is short for in. 4 Pane refers to a windowpane. 5 Thro’ is short for through. Each stanza in this poem has six lines.
1. Which lines rhyme within each stanza?

2. What is the main idea of this poem?

3. In ordinary language, describe the mental pictures you get from the first stanza. In the first stanza, why do you think the poet says that little waves look like “fiery ringlets”?

4. What does the last line of the poem tell you?
English
1 answer:
Gnom [7.5K]24 days ago
3 0
1- The first stanza rhymes with the sixth, the second with the fifth, and the third with the fourth. This can be observed clearly from the ending sounds of the selected words at the end of each line. 2- The poem primarily conveys the yearning and desire of a lover to eventually unite with the one they love. Browning's imagery frequently suggests the deep longing one lover experiences for another. 3- The initial stanza portrays someone who has to contend with the separation of time and space between them and their beloved. The term 'fiery ringlets' illustrates the appearance of the lover's hair. 4- The central character realizes that when people are in love, the concepts of time and space cease to exist as they become intertwined.
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<span>Thy image. Earth, that nourished thee, shall claim
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<span>And, lost each human trace, surrendering up
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<span>To mix for ever with the elements,
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Shall send his roots abroad, and pierce thy mould.

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