The creature vows to revere Victor as a deity if he provides assistance; hence, Option D is the right choice.
The monster states it will act "gentle and submissive to my natural lord and king" if Victor fulfills his part, which the creature believes Victor owes him. He urges Victor to consider himself as his Adam.
Additionally, the creature threatens to put Victor's family in danger if he does not comply.
On the other hand, the creature guarantees to leave Victor and his loved ones undisturbed if he meets the monster's terms. However, if Victor declines, the creature threatens,
"
I will work at your ruin, and will not cease until your heart is desolate, compelling you to regret the day of your birth."
The quotes correspond to literary devices as shown below:
"O miserable abundance, O beggarly riches!" – John Donne
This is an oxymoron, pairing terms like miserable abundance and beggarly riches that contradict but effectively describe the meaning.
"What a pity that youth must be wasted on the young." – George Bernard Shaw
This illustrates a paradox, stating that youth is wasted by those who are young, provoking reflection on this contradiction.
"I can resist anything but temptation." – Oscar Wilde
This also is a paradox, expressing a contradictory action where the speaker can resist everything except temptation itself.
"How is it possible to have a civil war?" – George Carlin
This serves as an oxymoron because it joins conflicting terms 'civil' and 'war', prompting the question of how a war can be civil.
Action Summary:
Effective actions:
1. Encourage dominant voices to allow others to contribute.
2. Request participants to refrain from speaking if they wander off topic.
3. In uncertain situations, respectfully ask a speaker to clarify their point.
4. If someone rudely challenges a speaker, remind that person to acknowledge the speaker's perspective.
Disruptive Actions:
1. Cut off the speaker to ensure everyone is taking notes.
2. Seek as many chances as possible to voice your own opinions.
Answer:
According to Pound, imagism is founded on three key principles:
- Address the poem’s subject directly.
- Use language sparingly, avoiding words that do not serve the subject.
- Consider the poem’s rhythm as a musical phrase. As Pound advised:
Don't fragment your lines into distinct iambs. Avoid ending each line abruptly and starting the next with a strong beat. Allow the rhythm to flow smoothly from one line to the next unless you desire a distinct pause.
Explanation:
From Plato
